This course is aimed at exploring how performers and audiences can approach and understand repertoire shaped by different cultural traditions in Korea (East Asia) and Western Europe. Through major repertoires that have been awarded, premiered, performed, and recorded in key musical scenes, it examines a framework focusing on concepts of sound, the expansion of instrumental possibilities, the combination of Korean aesthetic ideas with Western European compositional techniques, historical contexts, and musical examples. It includes works by Younghi Pagh-Paan, Isang Yun, Unsuk Chin, Sukhi Kang, and Young-seob Choi.

Unterrichtssprache: Deutsch/Englisch

Anmeldung: seolee@mh-freiburg.de